He chooses the most difficult and most correct end. Mohit Suri has options galore for his climax. Many one-scene characters are never seen, only the reactions of him or her. Just as his weakness is the bottle, hers his him. Love makes for an unseemly mixer for the all the alcohol he drinks.
There's perfection even in the sound design. They have a heart-to-heart conversation through a glass slat in the door.
Aashiqui 2 review professional#
She hesitates, nervous about her first shot at professional singing, refusing to enter the recording studio. And yet the scene that paints this picture is poignant, and gives you the one image you're likely to be left with long after you're done the movie. I liked that the relationship is purely platonic almost until the half way mark and when feelings can't be contained any more, they gush out like an unrestrained hurricane. Still Aashiqui 2 does have its fair share of tender moments framed by copious amounts of tears. And just the very scale of Rockstar coupled with Ranbir Kapoor's antics made the film cult-like. It's reference points managed to surmount these: Abhimaan was a story Hindi film audiences hadn't seen before. There's hardly an emotion you haven't been manipulated into before, oldfashioned misunderstandings out of sync with the tech at hand, or a scene that doesn't feel like instant deja vu. And, unfortunately it is neither deep nor very original, functioning more as tribute. Though engaging and mature for most part, the screenplay of Aashiqui 2 stubbornly refuses to break the surface tension of the cyclic story. The result: a mashup that pays tribute to Hrishikesh Mukherjee's Abhimaan and Imtiaz Ali's Rockstar. However, this time they've jilted the idea of shocking, scaring, or scarring you and opted for convention with conviction. This, in a nutshell, is Aashiqui 2: freshly crated off the Bhatt assembly line. An innocent resolve to guide that snowballs into a torrid affair. I'm here to review the film, not my memory of it and for that I'll have to stay my hand before I begin to baselessly call it a good one.Movies masala - review of aashiqui 2 An alcoholic rockstar rarely in control of his actions, a culturally-rooted girl who sings at bars and aspires to be Lata. Although the memory I have of it isn't as bad as the actual film (which is mostly due to the music). The story I saw didn't move me, which is the least it could have done. But I don't go to the theater to listen to music I go to watch a story. The music works, Tum Hi Ho is undeniably a brilliant song. There's something wrong with this romance but all good love stories need to be wrong. Aditya Roy Kapur and Shraddha Kapoor strike good chemistry, they get the tone right but it's not the fault of the actors if what they are speaking is lousy drivel and/ or idiotic hogwash. They made me laugh, roll my eyes in disbelief, clench my fist in anger or just get plain old weirded out.
Aashiqui 2 review movie#
The dialogues in this movie are absolutely atrocious. The situations are in place but what are extremely out of place are the dialogues. As far as action is concerned, the script gets it somewhat right. Action as in what the characters do and dialogue as in what the characters speak. Screenwriting has two aspects - action and dialogue.
The story isn't bad, just the way it is told is.
The protagonists of the film are definitely right for each other but the circumstances don't fatefully agree.Īfter I came out of the film, I knew that the passion had been stirred, the music sounded great, the performances were adequate but there was something blatantly amiss and that something is a good screenplay. As a truly romantic filmmaker (Wong Kar Wai) said (in his film 2046): It's no good meeting the right person too soon or too late. Arohi is on the uphill climb, starting her journey to reach the peak. Rahul is way past the peak of his career and has reduced himself to a self-destructive alcoholic. Personally, I feel Mohit Suri must have really loved Rockstar (2011) and wished he could make something like it. It has more to do with Abhimaan (1973) but let's not get into Hrishikesh Mukherjee's great film and distort the evaluation. Something that only Imtiaz Ali seems to care about these days.Īashiqui 2 has nothing to do with the 90s Aashiqui. The intense passion from love "aaj kal" is entirely missing. Pain and heartbreak are not given enough credit in movies these days. What I do love is an old-fashioned romance. I love the music and that's saying something because I'm not into Mahesh Bhatt's brand of movies or music. Review Aashiqui 2 & earn 20 DM Points.* Review Submit
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